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Click a button below to check
out my VISUAL ARTS |
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I PAINT:
Urban Orisha Series |
I DRAW:
From Zodiac Series |
I REVOLT:
REVEAL/FIGHT
Oppression |
I SCULPT:
Luv People Series |
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The Illustrations & Poetry here are all a part of my upcoming books "Signs of the Zodiac as interpreted by
THIS Scorpio“. This collection of collection of anecdotes, poetry, short stories & essays about the various star signs that will make
you sweat under the astute observation of Scorpio.
Due out: February 2014 |
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SELECTED POEMS: |
Freaks in the Industry
| Battle Axe
| Battle-Ready
| No Experiments on my TEMPLE!
| Composite of a King
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CLOSE |
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intro
Freaks in the Industry Black people do nothing but screw and kill so that’s what I see in videos black people ain’t nothing but crazy evil prostitutes, vagabond, hustlers and rogues. denying that they broke skin on our backs snapped our necks and raped our women with authority our pretense of mental health rebuffs pain and is central to revision of our history. we possess freedom papers, but carry the burden of vilification -- they cast roles for animals and we compete to fill the positions. thinking the insignificant part is just a bit of art instead of role-modeling -- ignoring the gullible youth, who all the negative images influence leaving the play-back in a vile loop on the young mind’s theatre.
let’s just stop watching BET, it is just another form of slavery. despite the company line, this entertainment psychologically shapes minds. celluloid images and hip-hop anthems force young brothas to play the role of hyper-masculinity. because there is nothing in the pockets, some think it’s best to wield power in bedrooms and in the streets. hating on one another instead of seeing oppression as the enemy. the mantra is internalized silently, “I hate me – ’cause life is hard!” street-cred is nothing in the grand scheme of society. despite that some rapper said a brotha ain’t nobody ’til someone shoots ’em in the head -- everyday some young brotha dies on some ghetto sidewalk. soon the gossip goes away and people cease to gawk then someone walks over the blood stain and grinds brotha’s existence along with his chalk outline into the bedrock.
—screw and kill—
the images on tv and hip-hop business endorse dehumanizing the supposed “gentler” of the sexes of the first people of the earth sistahs only ever get to hum the dirge as sassy- mouthed bitches or head-rolling hos -- never the partner of a worthy mate or respected mothers of promising black children. we must trudge through this jungle with no protection thrown to the beasts by the fat of our tattooed asses. on every video show tramp-stamped females are displayed hyper-sexually, --wet and worthless-- without pride we revel as if this was acknowledgement of a form of beauty. some rapper said rump-shaking is a fine way a gal can get that legal tender… but the assets sag and our memories vanish and since respect didn’t exist to begin with, we go broke leaving only the remembrances of sin on our breaths then we pick up the pen and write to confess. —screw and kill— the slave driver’s role advances through the lyrics in the music industry. the most disparaging representations get the record deals which appeal to the oppressor’s sense of superiority. Entertainment industry movers and shakers nod and offer awards of approval to each transgression of self-destruction and with each misogynist line, our legacy’s shrunken. don’t you get it now? let’s dissect this for the record it can’t just be about the beat and the harmony whether you listen or hum along with the melody the messages sink subconsciously into your gourd. the power system has written a prescription for our obliteration and we choose self-medication but multiply the dosage. they tell us how to perform and like Pavlov’s dogs we react to the stimulus; but understand, this tune is offbeat our apathy must be discarded tossed from the record company windows - because if this is their idea of blackness let them keep their minstrel show. Black people do nothing but screw and kill so that’s what I see in videos black people ain’t nothing but crazy evil prostitutes, vagabond, hustlers and rogues.
battle axeHere I am -- stepping to you with a twelve-gauge lyrically, stomping out your “man, she can’t blow!” skepticism with my booty-kicking high-heeled shoes on a cocksure foot to put an inkling in your head.
I imbibe the lyrical juice that kicks like woodroot kisses goldenseal for your fancy. I’m not a baby anymore, see, I’m just a pleasure-giver stacked with little ditties that make you sweat oceans like kisses from that sweet-lipped brotha whose cedarwood and juniper scent penetrates your nasal cavity. I got flow like streams with a strictly coherent babble swilling a siren song for all those poets of the world who try to horde the word why not tip your hat and share the cipher, but some misguided egos click like legos and move in small circles like high-school popularity -- assassinating my lines living in dread of being toppled from imaginary poetic kingdoms. If that is how you vibe, stand as tall as trees, ‘cause one day you will be fell by your own poetic axe and selfishness will lodge deep within your throat leaving your poetry gasping for new life breathed through the plagiarized styles of us outcast versifiers.
Before you cut off my limbs try to recognize that ink flows through my veins, and I will continue to pack my lip with that old schtick called POWER that’s my unwavering vow… HOW U LIKE ME NOW?!
Battle‐Ready Ancestral veneration is one of the true paths for Afrika's offspring, we daughters and sons of new-world friction, we, who live in the aftermath of one of history/s ugliest memories must with a miracle mix of peppermint and sage wash away our diseased mentalities.
Allow me to share with you my dream of sweet liberty the one where we slay the haint of self-loathing and flagellation. That succubus has been riding our backs since that first long expedition from land of promise to this land where plunder and pillage is the prime directive.
May this be the day on which we don the armor to expel self-hate and accentuate our positive possibilities, each one, touch one - and spread family love in unison… turn outward aggressions against the enemy within -- emerge from scourge and yes, we will win!
NO EXPERIMENTS ON THIS TEMPLE!So what I eat junk food, and prefer a tall milkshake in a cold, clean glass instead of the acidic healthfulness of orange juice? And yes, I’ve been known to pass up a bowl of lumpy oatmeal for French-fried potatoes, seasoned with relish, on the side of fried blue fish… Yes, I said “fried”! my temple is mine, and my actions don’t mean I don’t worship this place around which my aura hovers, and my soul calls “home”.
Believe me baby, this is not a lab in which you can try not to don a mad-scientist overcoat and force me to let you conduct salacious experiments to satisfy your sexual curiosity or boost your oppression-beaten ego, -- one or both. your (alternatively aroused) wishes makes a woman like me have to question my values after just standing near you.
Your boy told you that how “powerful” he felt making her (or him) -- one or both -- bend and take him in every which way, that he got so excited that his “love taps” stung his palms ’til the other party in the room become more a victim than a lover, and the euphoria hit in a manner never felt from one-on-one consummation.
Well, sweetheart, dig this-- I am not the one! Take your devilry to some non-believer because my temple was crafted by the divine not to be guinea-pig for your depravity. Doing compulsory side bends, yoga poses and other licentious exercises with third or fourth parties, because you want girl-on-girl-on-girl-on-girl-on-you action is not a scene I intend to enact in the movie script of my life.
Don’t get too cozy thinking you have full license to cajole me into making my exit holes into your entrances. because I need you to consider me for a second, since the temple you seek to enter is mine. if you have to ask more than once and the answer is always a resounding “no!” -- if you have to bring me chocolate candy kisses molded in the positions too decadent to be shown in the kama sutra and the answer is still “no!” -- if you have to beg me sixty-nine ways to Sunday and I am still telling you “nah, brotha, my interest isn’t roused” -- understand that you are losing me, because I refuse to compete in the museum of your sexual oddities.
Brotha, why does it have to be science fair in order for me to have a place in your love-life? What’s so wrong with a little convention where you give reverence to my need to respect myself when I look at me?
So, in the interest of my self-preservation, why don’t you just put your garments back on and back the hell away from my temple.
COMPOSITE OF A KING Brothaman, a sistah god gave you birth. From the womb, you emerged the color of earth — a be-locked divinity anointed in glistening perfume and immersed in history. A sensual Shango-son emitting the voodoo of heaven upon which you were baptized and sanctified with spotlights that shine through the black of your eyes, that are accented with gleams of white-hot suns. When you enter a room, you are able to come in peace to make your own power audible under a marquee made by Orisha and comprised of stars — oozing masculinity and thriving in the presence of female potency.
Because you are blessed by super-nature, you don’t have to walk, you glide fat lips, slim hips you carry knowledge of your ancestry and armed with your wisdom, you’re the perfect brotha for me.
Nu-Afrikan King you breathe poetry from the lungs; tenets of justice flow from your tongue; musical, magical vocals slide from your throat; you carry laws of righteousness in the pockets of your coat. It is imprinted on your mind to abide by the laws that gods wrote. On this frigid frightening planet exists versatile you and you represent in any situation you choose. You can vibe those who choose ordinary pursuits and guide your brothas without lecturing condescendingly, or ever having to cower on street corners smoking your legacy in clouds of trees. And though the world on a daily beats you down you address your own shortcomings and never wear your Afrikan-ness as a crutch, but always a crown. Because you are blessed by super-nature, you don’t have to walk, you glide fat lips, slim hips you carry knowledge of your ancestry and armed with your wisdom, you’re the perfect brotha for me.
Spirit-being, cheetah-quick you jump in to correct the missteps of those who serve to oppress; and alone in your home you deprogram from stress. You commune with your creators as a ritual, grateful for your daily bread — evoking spirits through a lighting of seven scented candles on your altar; reciting blessings in the names of your ancestors -- allowing from this plane you to momentarily depart and wade beyond slavery and the middle passage to the motherland’s heart. Because you are blessed by super-nature, you don’t have to walk, you glide fat lips, slim hips you carry knowledge of your ancestry and armed with your wisdom, you’re the perfect brotha for me.
Sugar-god, you are the inspiration of hymns, with the aroma of nutmeg and clove rising from your onyx limbs. I meander in your arms as we kick back discussing: The Black Panthers and the Ten Point Program’s rise; how the Mirabal sisters became butterflies; the Black Liberation Army and Assata’s fight; reparations and human rights; the meaning of revolution and Malcolm X; how Black self-love gets taken out of context; and making babies and educating them for liberation’s future. And while we lay in our symbiotic structure I know it’s me for you and you for me ’til oppression fades away and is dismissed; ’til the world of injustice cease to exist; ’til the current class system is dilapidated; ’til the words “let freedom ring!” are worth celebrating.
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ABOUT:
Makeela B. Amani
Toronto-born & Brooklyn-based, Makeela B. Amani, share
her vision by producing revolutionary images in
various medium.
She creates visual arts in the following mediums: painting, sculpture, and jewelry design
(mostly sterling silver earrings and
middle-finger rings- depending on your finger size.
:-)).
As a writer, she writes poetry (which she performs) and prose. She prefers to write
what others term "eye-opening" work. She also
dabbles in making eclectic digital music... just
because she like to.
If you've seen it, you'd know, Ms. Amani produces visual art containing beautiful, loving and power-filled depictions of people in their daily lives, or harsh, revolutionary images that are said to smack convention with their anti-oppression themes.
She also pounds the keys on her laptop like a banshee to
write stinging lyrics and poetry. And like a banshee,
she shrieks hard-hitting heartsongs to her audience who
nod heads and stomp feet in agreement with her inner
thoughts agains oppression in the world, in love and in
our souls.
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